Marianne Le Morvan holds a doctorate in Art History and is an independent researcher. An exhibition curator (Grey Art Museum in New York, Montreal Museum of Fine Arts, Orangerie in Paris), she is also the founder of the Berthe Weill Gallery archives. As the author of art history books and several catalogues raisonnés of modern artists, she is in charge of scientific programs and museography projects. Marianne joined the Fund to provide her expertise in conservation, curation, and museum policy, supporting the opening of the Léon Delachaux Museum.
Consultants
Nowadays
A graduate of the École du Louvre in the history of photography and of the Sorbonne in exhibition sciences and techniques, Flavio Rugarli is a specialist in 19th-century photography. After working at the Cnap (Paris), the Jeu de Paume (Paris), and La Conserverie (Metz), he is now a contemporary art curator within the Boucan collective (Paris). Flavio joined the Fund to oversee the analysis, conservation, and promotion of the collection of photographs taken by Léon Delachaux, contribute to research on the artist, and help shape the scientific content of the future Léon Delachaux Museum.
After studying graphic design and visual communication at ENSAAMA (Olivier-de-Serres), Julie Jonquet-Caunes worked at the heart of Artcurial's creative studio before operating as an independent designer. Today, she creates illustrations in the fields of fashion, lifestyle, and luxury. As the artistic director of the monograph dedicated to Léon Delachaux, Julie is developing the visual identity of the Fund and the future Léon Delachaux Museum.
With a degree in international business (E.S.C.E) and art history (I.E.S.A.), Morgane Delmas worked for eight years in the marketing and communications department of Artcurial auction house (Paris, France). In 2015, she and Julie Jonquet-Caunes launched their own agency dedicated to culture and the art market. Since 2016, she has been activating and coordinating the communication levers essential to the Fund’s missions. Her operational and interpersonal skills enable the Fund’s objectives, led by Marie Delachaux, to be achieved.
Initially
(from 2012 to 2020)
Julia Guillon joined the Endowment Fund at its inception, retracing the life of Léon Delachaux, identifying the exhibitions in which he participated, as well as his works in museums. Her research took her to Philadelphia and Bucharest. Today, she is in charge of the archives of a fashion house in Paris.
(from 2012 to 2017)
Lucie-Éléonore Riveron-Masini developed the foundations of the Endowment Fund’s visual identity program, created its first website, and initiated the layout of the artist’s monograph. She is now president of the FauveParis auction house, which she co-founded.
(from 2012 to 2022)
Marie-Alice Loiseau designed the Endowment Fund’s database of the artist’s catalogue raisonné and researched Léon Delachaux. She is the founder of Catalofile, a tailor-made cataloguing interface for artists, collectors, and institutions.
(from 2017 to 2023)
A specialist in nineteenth-century painting and drawing, Teresa Perez Diaz carried out research missions for the Endowment Fund in various fields. She is a long-standing collaborator for the Galerie Jean-François Heim (Basel, Switzerland).